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George Fox (1624 – 1691). Founder of the Quakers. Alamy.com

Clockmaking

of

The Wigton ‘School ’

 Faith, Family and the Quaker Connection

Research for this article has been based principally upon the published works of Brian Loomes, together with additional research by Lee Borrett. I am also grateful to Brian Wellings for his encouragement and assistance in the preparation of this article.

 

Among the earliest provincial centres of English clockmaking, few are more distinctive or historically intriguing than the small Cumbrian market town of Wigton. During the closing years of the seventeenth century, a remarkable group of clockmakers emerged here whose work displayed a recognisable style, strong family connections and, perhaps most intriguingly, close associations with one of the most influential religious movements of the age.

 

Today this group has become known as the Wigton School of Clockmaking. At its centre stood John Sanderson of Wigton, whose clocks, together with those of John Ismay and Richard Sill, form one of the earliest identifiable provincial schools of clockmaking outside London.

 

The story of these makers cannot be separated from the history of the Society of Friends, better known as the Quakers. During the second half of the seventeenth century, Wigton became one of the principal centres of Quakerism in Cumberland, and many of the families connected with Sanderson’s life and work were prominent members of the movement. Whether this religious environment directly influenced the clocks themselves remains open to discussion, but it undoubtedly forms an important part of their historical setting.

 

For collectors and historians alike, the clocks of the Wigton School are remarkable not only for their distinctive construction and engraved religious verses, but also for the fascinating glimpse they provide into the social, religious and cultural life of northern England during a period of profound national change.

   The Religious World of 

Seventeenth-Century Cumberland 

The sixteenth and seventeenth centuries were among the most turbulent periods in English history. Religion and politics were inseparable, and disagreement over matters of faith frequently led to social unrest, persecution and, ultimately, civil war. Many people had become dissatisfied with what they regarded as the worldliness and corruption of the established Church, while the increasing availability of the Bible in English encouraged ordinary men and women to study the Scriptures for themselves rather than relying solely upon the interpretation of the clergy.

 

Out of this atmosphere of religious questioning emerged a number of non-conformist movements seeking a return to what they believed to be the simplicity of early Christianity. Among the most influential was the Religious Society of Friends, whose followers became known as Quakers.

 

Although Quakerism began in the English Midlands, it spread rapidly throughout the north of England, where many communities proved receptive to its message of personal faith, equality and simplicity. By the middle of the seventeenth century, the market town of Wigton and the surrounding countryside had become one of the movement’s most important centres in Cumberland. It was within this remarkable religious landscape that the Wigton School of clockmakers would later emerge.

George Fox and the Birth of 

Quakerism in Wigton

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A young George Fox talking with women in a field 1600s. Hand-colored woodcut. Alamy.com

George Fox (1624–1691), the founder of the Religious Society of Friends, was one of the most influential religious reformers of seventeenth-century England. Born at Fenny Drayton in Leicestershire, Fox became increasingly dissatisfied with the established Church and the religious divisions of his day. After years of spiritual searching, he came to believe that every individual could experience the presence of God directly, without the need for priests, elaborate ceremonies or formal sacraments.

 

Writing later of this profound experience, Fox recalled:

 

“I saw also that there was an ocean of darkness and death; but an infinite ocean of light and love, which flowed over the ocean of darkness.”

 

His message of personal faith, simplicity, honesty and equality attracted growing numbers of followers throughout England. These early believers became known first as the Children of the Light and Friends of Truth, before eventually adopting the name Society of Friends. The term Quaker, originally intended as a nickname, was soon widely adopted and remains in common use today.

 

Among the areas most receptive to Fox’s preaching was Cumberland, where a number of independent religious groups known as Seekers had already separated themselves from the Established Church. These communities were actively searching for a simpler and more personal form of Christianity, making the region fertile ground for Fox’s teachings.

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A Quaker's meeting in the seventeenth century. Alamy.com

William Pearson and 

Tiffinthwaite Farm

Around 1652 George Fox visited Tiffinthwaite Farm, just outside the market town of Wigton, where he met William Pearson, one of the local Seekers. Their meeting proved to be a turning point in the religious history of the district.

 

Inspired by Fox’s teaching, William Pearson embraced the new movement and established one of Cumberland’s earliest Quaker communities. He built a Meeting House on his land and generously provided ground for a Quaker burial place, creating a centre that would serve the growing Society of Friends for many years.

 

Although Fox encountered hostility during a visit to Wigton in 1653, when he was turned away by an angry crowd, he returned about ten years later and was welcomed once again at Tiffinthwaite Farm. Writing afterwards, he described the gathering as being “very large and precious,” a reflection of how firmly Quakerism had become established within the local community.

 

Following William Pearson’s death in 1674, the meetings continued uninterrupted. Monthly and Quarterly Meetings were regularly held, while additional Meeting Houses were established throughout the surrounding district. By the beginning of the eighteenth century, Wigton had become one of the principal centres of Quaker life in Cumberland.

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Early 18th century Quaker meeting. Shutterstock.com

Following William Pearson’s death in 1674, the meetings continued uninterrupted. Monthly and Quarterly Meetings were regularly held, while additional Meeting Houses were established throughout the surrounding district. By the beginning of the eighteenth century, Wigton had become one of the principal centres of Quaker life in Cumberland.

Why this matters

The importance of Tiffinthwaite Farm extends far beyond religious history.

 

It was here that one of the earliest Quaker communities in Cumberland took root, and it was here that the young John Sanderson, later founder of the Wigton School of Clockmaking, spent much of his childhood. This remarkable connection places the future clockmaker at the very heart of one of the most important centres of early Quakerism in northern England.

 

Whether this religious environment later influenced the distinctive character of Sanderson’s clocks remains a matter for careful consideration. Nevertheless, the close association between the Pearson family, Tiffinthwaite Farm and the earliest years of the Wigton School provides an important historical context that should not be overlooked.

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George Fox in his later years. 17th century English: Portrait of George Fox, attributed to Peter Lely, Public domain, via Wikimedia Commons. 

John Sanderson

of Wigton

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John Sanderson

Wigton Fecit

c1700

Among the early clockmakers associated with Wigton, none is more important than John Sanderson (1671–1740), who is generally regarded as the founder of what has become known as the Wigton School of Clockmaking.

 

Sanderson’s early life was closely connected with Tiffinthwaite Farm, the home of William Pearson and one of the earliest centres of Quakerism in Cumberland. His father, Robert Sanderson, was employed there as the resident blacksmith, and it is believed that the family lived within the farm buildings. John therefore spent his childhood in an environment that was not only agricultural but also deeply connected with the emerging Society of Friends.

 

This peaceful beginning was interrupted by tragedy. Following the death of his father when John was about twelve or thirteen years old, he left Tiffinthwaite Farm and went to live with his uncle, John Sanderson, and his aunt Mabel at Highmoor. It was during these formative years that he is believed to have learned the craft that would eventually make him one of Cumberland’s most accomplished clockmakers.

 

Although no apprenticeship indenture has yet been discovered, it has long been suggested that Sanderson may have trained under the celebrated Quaker clockmaker John Ogden of Bow Bridge, Yorkshire. No documentary evidence survives to confirm this, and the suggestion therefore remains speculative. Nevertheless, comparison between Sanderson’s earliest surviving clocks and those made by Ogden reveals several striking similarities in both construction and design. While these similarities cannot prove an apprenticeship, they do suggest that Sanderson was influenced by, or trained within, the same horological tradition.

 

Following the death of his uncle in 1690, Sanderson’s life came full circle. In 1691 he married Elizabeth Pearson, granddaughter of William Pearson of Tiffinthwaite Farm, thereby becoming part of one of the district’s most important Quaker families. The couple returned to Tiffinthwaite, where Sanderson is believed to have established his workshop and produced many of his earliest clocks.

 

The historical significance of this connection is difficult to overlook. The very place where George Fox had helped establish one of Cumberland’s earliest Quaker communities some forty years earlier had now become the home and workshop of the man who would found the Wigton School of Clockmaking. Whether coincidence or circumstance, the association provides a remarkable link between the religious and horological history of the district.

Sanderson’s 

Earliest Surviving Clocks

The earliest surviving clocks signed by John Sanderson already display the confidence and individuality that would later distinguish the Wigton School. Among the earliest examples presently known is an eight-day longcase clock dating from around 1695, whose dial combines elegant engraving with deeply devotional inscriptions.

 

Several features immediately identify these earliest clocks. Sanderson’s signature frequently appears in the form “John Sanderson Of Wigton”, while the chapter ring often incorporates distinctive arrowhead half-hour markers rather than the more familiar fleur-de-lis or cross motifs found elsewhere. These details appear principally on his earliest work and provide useful clues when attempting to place individual clocks within the development of his workshop.

 

Most striking of all are the engraved religious verses that decorate both the dial centre and the upper corners. These inscriptions reveal that Sanderson regarded the dial not simply as a functional surface but also as a place for moral reflection, combining timekeeping with expressions of Christian belief that would become one of the defining characteristics of the Wigton School.

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Above. Showing the dial of John Sanderson’s earliest known 8-day longcase clock to have come to light so far. Made in about 1695, there are religious verses to the top two corners and dial centre. Photograph by Lee Borrett

Below.  The combination of the arrowhead meeting half-hour markers along with the word ‘Of’ in his signature are features usually only only seen on Sanderson’s earliest known work which date from the early 1690s. Photograph by Lee Borrett

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Many of John Sanderson’s earliest surviving clocks bear memento mori verses engraved upon their dials. The Latin phrase memento mori, meaning “remember that you must die”, served as a reminder of the brevity of earthly life and the certainty of death. The sentiment closely reflects the opening words of the Book of Ecclesiastes: “Vanity of vanities, saith the Preacher, vanity of vanities; all is vanity.” During the deeply religious seventeenth century, vanitas imagery and memento mori symbolism became increasingly popular, reminding people that worldly possessions and earthly achievements were temporary, and that life should be lived with eternity in mind.

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Above. 'Memento Mori' . Showing a close-up of the early 8-day Sanderson dial centre c1695. Photograph by Lee Borrett

Below. Showing a close-up of the 'Memento Mori' engraved dial centre of another early John Sanderson 8-day longcase clock which dates from around c1710. Photograph by Lee Borrett

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This verse from the Bible (Ecclesiastes 1:2) also appears in the Quaker Bible of Quotes. It has often made me wonder whether some of Sanderson’s earliest clocks, bearing their distinctive memento mori inscriptions, may originally have been intended for Quaker and other non-conformist families within the district. By the closing years of the seventeenth century, Wigton had become an important centre of Quakerism, and Sanderson would almost certainly have counted many Quakers and other non-conformists among his customers.

​

At present, however, this remains only my own theory. Although the historical circumstances make the idea an intriguing possibility, I have so far found no documentary evidence to prove that these religious verses were engraved specifically for Quaker patrons.

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Above   Philippe de Champaigne’s Vanitas (c.1671), reduced to three powerful symbols—Life, Death and Time. The Latin phrase memento mori (“remember that you must die”) served as a reminder of the brevity of earthly life and the certainty of death. The concept has its roots in classical philosophy and Christian teaching, appearing in funerary art and architecture from the medieval period onwards.

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Above. Medieval Christian cross, c.1100 –1300 AD The memento mori tradition has deep roots within medieval Christianity, where reminders of mortality encouraged reflection upon faith, humility and the life to come. Photographed by Lee Borrett

The Wigton School 

Clockmaking

of

John Sanderson is generally regarded as the founder of what has become known as the Wigton School of Clockmaking. Although never a formal school in the modern sense, it was a distinctive local tradition whose makers shared remarkably similar constructional features, suggesting that they either trained together or worked within the same workshop.

 

The three principal makers associated with the school are:

 

  • John Sanderson

  • John Ismay

  • Richard Sill

 

Early clocks by all three makers display striking similarities in both movement construction and dial engraving, leaving little doubt that they originated from the same close-knit tradition of craftsmanship.

 

Other Cumbrian makers also appear to have connections with this circle during its earliest years. These include Joseph Calvert of Wigton, Henry Sheppard of Wigton, and Redge Buckell of nearby Skelton. Although only a handful of clocks by these makers are presently known, several are engraved with religious verses that closely echo those found on Sanderson’s work, suggesting that the religious and cultural influences of the Wigton district extended beyond the principal workshop.

 

One particularly fascinating figure is Joseph Calvert, who was not a professional clockmaker but a yeoman farmer born in 1654. He lived only a short distance from John Sanderson and is known to have made a single eight-day longcase clock for his own use around 1700, quite possibly with Sanderson’s assistance. This remarkable clock survives today and is illustrated elsewhere on this website, providing a rare glimpse into the close relationship that could exist between local craftsmen and members of the community.

 

John Ismay, Sanderson’s stepbrother, shared the same father and was born in 1699. He was apprenticed to the Yorkshire Quaker clockmaker John Ogden in 1711 before returning to Wigton, where he continued the family’s distinctive style of clockmaking until his death in 1755.

 

Richard Sill was working in Wigton by 1704 and married locally. Although comparatively little is known about his life, his surviving clocks clearly belong to the same tradition and help demonstrate that the Wigton School remained active well into the early eighteenth century.

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Above. 17th century hand coloured engraving of Westmoreland and Cumberland showing Wigton, by Robert Morden, published by Abel Swale Awnsham and John Churchil, London, about 1695. Lakes Guides website. Map "courtesy of Dove Cottage"

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Richard Sill

Wigton Fecit,

c1705

Above. Showing a wonderfully interesting and very rare 30-hour  wall clock with religious verse and penny moon feature by Richard Sill of Wigton, c1705. Photographed by Lee Borrett

Were Sanderson’s Early 30-Hour Clocks

Originally Wall Clocks?

One of the most intriguing questions surrounding John Sanderson’s earliest thirty-hour clocks is whether they were originally intended to be housed in longcases at all.

 

This presents no difficulty with Sanderson’s eight-day clocks, as numerous examples survive in their original cases. His early thirty-hour clocks, however, tell a rather different story. The majority of those that have come to light either remain uncased, are displayed today on wall brackets, or have been fitted into cases that appear to be of a later date.

 

From many years of collecting and studying these remarkable clocks, I believe it is entirely possible that Sanderson’s earliest thirty-hour movements were originally intended to hang on simple wall brackets, much like the celebrated hook-and-spike clocks produced in Gloucestershire by Walter Archer and other contemporary makers.

 

Such an arrangement would have made good practical and economic sense. Purchasing only the movement would have been considerably less expensive than commissioning a complete longcase, allowing the owner to acquire a reliable domestic clock before investing in an elaborate wooden case at a later date if circumstances permitted.

 

This theory may also help explain one of the most distinctive features of Sanderson’s earliest work. Many of his lantern-style movements incorporate beautifully cast decorative pillars, and in some cases equally decorative feet. If these movements had always been intended to remain hidden inside longcases, there would have been little practical reason to devote so much time, expense and skill to producing such ornamental castings. Much simpler iron pillars would have served the purpose equally well at far lower cost.

 

By contrast, Sanderson’s later birdcage movements, with their plain square-section pillars, appear far more suited to permanent installation within conventional longcases, where the movement itself was largely concealed from view.

 

Although documentary evidence has not yet been found to prove this theory conclusively, the surviving clocks themselves provide compelling circumstantial evidence. Taken together, the surviving evidence suggests that Sanderson’s earliest thirty-hour clocks may have occupied a distinctive place in the evolution of English domestic clockmaking, combining the appearance of lantern clocks with features that anticipated the development of the longcase clock.

The Wigton Market

An additional factor may also have influenced the way Sanderson’s earliest thirty-hour clocks were sold. In 1262, the town of Wigton was granted the right to hold a weekly market and annual fair, establishing it as an important commercial centre for the surrounding district.

​

From my own experience of collecting and studying early Wigton clocks, I believe it is quite possible that many of Sanderson’s earliest thirty-hour clocks, particularly those with lantern-style movements and religiously engraved dials, were originally offered for sale at these local markets. Purchasing the movement alone would have made the clock considerably more affordable, allowing the owner to commission a longcase later as finances permitted.

​

This theory may also help explain why so many surviving examples are either uncased, housed in cases that appear to be later additions, or have been adapted to previously occupied cases. Rather than viewing these altered cases negatively, I regard them as part of each clock’s natural history, reflecting changing fashions, practical needs and successive generations of ownership.

​

Although documentary evidence has not yet been found to confirm that Sanderson sold his clocks in this way, the surviving examples make the possibility an intriguing one.

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17th century longcase by John Sanderson  c1698

Summary

The clockmakers of the Wigton School occupy a unique place in the history of English horology. Working in the rural county of Cumberland at the close of the seventeenth century, they developed a distinctive style of clockmaking that reflected not only exceptional craftsmanship but also the religious and social character of the community in which they lived.

 

The close association between John Sanderson, the Pearson family and the early Quaker movement provides a fascinating historical backdrop to these remarkable clocks. Whether every religious verse engraved upon their dials was intended specifically for Quaker patrons can never be stated with certainty, but it is difficult to ignore the strong connection between the flourishing Quaker community around Wigton and the devotional character of many of the surviving clocks.

 

John Sanderson remains the central figure in this story. Through his influence, a distinctive regional tradition emerged that was continued by makers such as John Ismay and Richard Sill, producing clocks that are instantly recognisable to collectors today. More than three centuries later, their work continues to offer valuable insight into the craftsmanship, beliefs and daily lives of the people who lived in this remarkable corner of northern England.

 

As a collector, I have been fortunate to study a number of these rare clocks at first hand. Each newly discovered example contributes another piece to the puzzle, and there is little doubt that further research will continue to expand our understanding of the Wigton School and the remarkable craftsmen who created it.

 

For me, that is one of the greatest pleasures of collecting early clocks. Every original survivor has its own story to tell, and occasionally those stories allow us to see familiar history in an entirely new light.

Continuing Research

Research into the Wigton School of Clockmaking is continuing, and as further clocks, documentary evidence and previously unknown makers come to light, this article will be updated accordingly. Like the history of the clocks themselves, our understanding of the Wigton School continues to evolve.

Aknowledgement

I would like to express my sincere thanks to the late Brian Loomes, whose pioneering research did more than anyone else’s to advance our understanding of John Sanderson and the Wigton School of Clockmaking. His book Brass Dial Clocks, together with his numerous articles published in Clocks Magazine, remain essential reading for anyone interested in these remarkable Cumbrian clockmakers.

​

I am also extremely grateful to Brian Wellings for his generous advice and encouragement during my own research into the Wigton School.

​

Much of the historical and horological background presented here has been informed by the published research of Brian Loomes. Wherever possible, I have also incorporated information gathered from my own study of surviving clocks, together with observations arising from my personal collection and continuing research. As new clocks continue to come to light, our understanding of this fascinating group of makers will no doubt continue to develop.

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